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Professional Photography Tips: Street Photography

Shoot from the Hip That’s right, shoot from the hip. Street photography is all about capturing natural, un-planned, and un-posed shots. When you bring your camera up to your eye to start Read More »

Rally Car Photography

Fast cars and DSLR’s, surely a promising combination! However, if you don’t know what you are doing it can turn into a disaster and you could end up coming home injured, or Read More »

Professional Photography Tips: Black and White Photography

Some subjects tend to be captured better through black and white photography. If you know enough about black and white photography, your photos can bring out textures, shapes, moods, and amazing details Read More »

Professional Photography Equipment Tips: The 50mm f/1.8 Lens

Portrait photography, or portraiture, is the type of photography that captures a single person or a group of people in a photo that shows their personality or mood. When it comes to Read More »

Adobe Photoshop CS6 Beta

That’s right, Adobe Photoshop CS6 Beta is now available for download! Want to know what upgrades and enhancements you’ll be given in this version? To find out, visit Adobe Labs to get Read More »

Professional Photography Equipment Tips: Your First SLR Camera

Beginning photography and trying to decide what camera you should purchase? First off, all actual photographers know that in order to be a photographer, you must have a SLR camera, digital or Read More »

Post-Processing in Lightroom 3 Time-Lapse


This is a short time-lapse screen recording from photographer and PhotographyMadeSimple admin, Andrew Studebaker. In this video he edits a photo in Adobe Photoshop Lightroom from one of his creative portrait sessions. We recommend that you watch the video in either 720p HD or 1080p HD for the best quality. Check out the final image in high-quality at the link in the video’s description. The description also includes a list of gear used at the session AND details on what adjustments Andrew actually made in the video. If you enjoy the video, Like/Comment/Subscribe/Share because he will be posting more if this one gets a good response!

Watch “Post-Processing Time-Lapse by Andrew Studebaker” on YouTube

Canon Discontinues Canon EOS 5D Mark II

Well, it’s a sad Christmas for you Canon fans. Canon announced yesterday that they have discontinued production of the Canon EOS 5D Mark II. This camera is known for being the best DSLR on the market for videographers. If you have been meaning to order this camera, now is the best time to act. Once stores sell out, this camera will only be available in used condition on sites including eBay and Craigslist. Buy it below at the lowest price in it’s history: $1,529.00

DEAL ALERT: $50 OFF THE ROKINON 85MM f/1.4 MANUAL FOCUS LENS FOR CANON

Amazon is offering $50 off the Rokinon 85mm f/1.4 for the next 3 hours! The deal ends 12/13/12 6:30 PM PST or when discounted supplies sell out. The available discounted lenses are currently 35% claimed. This Rokinon lens is manual focus only, which isn’t all that bad when you consider that the quality of this lens competes with the Canon 85mm f/1.2L at about 1/8 of the price. Yes, you give up the ability to auto-focus but at a price tag of only $239.00(Deal Price), who would complain? Be sure to check out the product page at the link below and add it to your cart before it’s too late! Happy shooting!

Huge Savings on Canon 5D Mark III Body

Save $400 on a brand new Canon 5D Mark III body!

We just discovered that a top seller on eBay is back again with a huge deal on the Canon 5D Mark III camera body! The body alone is normally $2,990.00 at online stores such as Amazon. This seller on eBay, however, currently has the body for only $2,599.99! That is a big savings of $400! This deal won’t last long, hours at the most, so don’t miss out!

Professional Photography Tips: Street Photography

Photo by: Stephen Cosh

Photo by: Stephen Cosh


Shoot from the Hip

That’s right, shoot from the hip. Street photography is all about capturing natural, un-planned, and un-posed shots. When you bring your camera up to your eye to start snapping away, whoever notices will either hide their face, move out of the shot, or pose. Come on, think about what you would do if a stranger on the street started snapping photos in your direction.

There are some situations that you may come across while out shooting that could disappear in a second. Why waste time by lining up your eye with the viewfinder? Just let your camera hang from your neck and start snapping away. Who knows, maybe you’ll end up with an awesome low angle shot that you could have completely missed had you tried getting the viewfinder to your eye. In a big crowd and can’t shoot from the hip without capturing everyone’s hips? Hold your camera above your head and shoot over the crowd.

Since we are talking about street photography, the angles you shoot from can get a little crazy. Unlike a high school senior shoot or an engagement shoot, angles don’t matter as much! Having some photos shot at odd angles can make your photos feel more natural and un-staged.
Photo by: Gato-Gato-Gato on Flickr
Photo by: Gato-Gato-Gato

Shhh, Don’t Let Them Know!

When you’re out shooting street photography, especially if you follow the tip above, your subjects probably won’t know you’re taking photos of them. This is ideal because they may act differently if they know they are about to be in a photo. Try to blend in with the crowd, don’t use a flash, and don’t spend time getting the lighting just right. Stay relaxed and discreet while shooting on the street. This will result in better photos that capture the moments you were aiming to capture.
Photo by: AndreyErmakov on Flickr
Photo by: AndreyErmakov

If They Say No, They Mean No

There will always be those people who will get upset about you taking their photo. If you come across someone who does not want their photo taken, simply make an apology and then move onto finding another subject. Parents of small children are probably not going to be okay with a stranger is taking photos of their kids. So always be ready to put on a smile and give a sincere apology!

It is always a good idea to bring some model release forms when you’re out shooting on the streets. No, they aren’t required unless you plan on publishing the images, but it doesn’t hurt to bring them along anyways. Maybe you will run into someone who thinks they know more about a photographer’s rights than you do, so a model release form could ease some tension.
http://www.flickr.com/photos/chrisjl/5092820306/
Photo by: Chris JL
Practice, Practice, Practice!

The process of trial and error is a very good way to learn what you need to learn about photography. Yes, you can study up and read tips like these but until you get out there and put them to the test, tips are quite pointless. So what are you waiting for? Get out there and start shooting some un-posed emotion filled street photos!
http://www.flickr.com/photos/fchouse/3252954734/
Photo by: The Round Peg

Professional Photography Tips: Newborn Babies

Photo by: *miss*leah*

Photo by: *miss*leah*

Some photographers will tell you that they love photographing babies, while some will tell you the exact opposite. You have to realize that babies like to do their own thing and getting them to cooperate in a photo session isn’t always the easiest thing in the world. Here are some helpful tips that will get you through your first newborn baby session.(Most likely through all your newborn baby sessions!)

1. When to Shoot

How soon to shoot: If you want to shoot those adorable newborn photos that you see being posted from your favorite photographer’s FB page, be sure to shoot within the first 10 days of the baby being born. If you do this, the baby you’re photographing will still have that natural cute bum in the air pose like in the photo below.

not sleepy at all...
Photo by: Carrie Sandoval

What time to shoot: Talk to the newborn’s mother and plan to shoot during the sleepiest time of the day. It’s always easier to photograph a newborn when he or she is sleepy/sleeping!

The baby’s wardrobe: Since your subject will most likely be snoozing away during the session, have the mom dress the baby in either a swaddling blanket or clothing that is very easy to take off. This is ideal, since you don’t want the baby to wake up while you and the mom are undressing it for more adorable photos.

2. Keep it simple

Don’t go in shooting expecting to end up with hundreds of amazing poses. Okay, so maybe hundreds of amazing poses from one newborn shoot is exaggerating but you get the idea. Go to Google images, Flickr, or even this article; and look at some newborn photos for inspiration. Pick out 2-4 poses and achieve those first before trying to capture more. When posing the baby, let the mom help you out! As for props, newborn photos don’t HAVE to have props since everyone is automatically going to say, “Awww” when they see your newborn photos. However, it doesn’t hurt to throw in some added color such as a bright flower, a stack of towels beneath the baby, or a headband with a bow.

little pea.
Photo by: Carrie Sandoval

3. Babies get cold too!

Bring a small space heater with you or talk to the mother about turning the house heat to 74 degrees ahead of time. The reason we recommend this is because you are most likely going to be photographing a bare newborn.
Bare newborn + Cold = Cranky
Bare newborn + Heat = A more peaceful shoot with successful images ;)

basket case.
Photo by: Carrie Sandoval

4. Summary time!
Finally, take your time and don’t stress because if you stress, the mother will stress and maybe even the baby. Remember, shoot within 10 days of birth, during the sleepiest time, dress the baby in easy to remove clothing, turn up the heat, master 2-4 poses first, and props aren’t required! Your main job is to take the best photos you can take and make sure the mother knows that she has the cutest newborn baby around. Good luck!

.warm fuzzy feeling. {explored}
Photo by: *miss*leah*

Rally Car Photography

Photo by:DHARIN

Fast cars and DSLR’s, surely a promising combination! However, if you don’t know what you are doing it can turn into a disaster and you could end up coming home injured, or even worse, with a bunch of disappointing images. Here are a few tips to ensure that your rally photography is a success:

 

SAFETY:
Cars are unpredictable, the drivers are tense and the road surface may not be the best, as a result, accidents do happen. Drivers lose control, cars break down, bottom line bad things happen. This is why safety is key!

  1. Plan an escape path beforehand. In the event something does go wrong, run uphill, never down hill and always try to run at an angle away from car if its coming towards you.
  2. Be vigilant, never take your eyes off the rally cars until they have past you. If possible carry a buddy to keep an eye out for you, after all, two eyes are better than one.
  3. Listen to the race marshals' directions and stay clear of the track.
  4. Never stand on the outside of a corner, in the event that you have to, have an escape route planned or a sturdy tree to shelter behind.
  5. The cars do kick up alot of stones, dust and debris so position yourself somewhere where you will not be in the path of the debris. A dust mask comes in handy especially if you have respiratory ailments!

EQUIPMENT:

Photo by:

Shot of the car just entering the corner

A DSLR is essential when shooting rally as it can shoot multiple frames per second and it takes pictures immediately with much less shutter lag than a point and shoot. The real question is what lenses should you use? It all depends on your vantage point, if you are on the inside of a corner you will need a wide angled lens, such as a 10-18mm. On the other hand if you are far away from the cars on the stands, you'll need at least a 300mm lens to get in close to the cars. Additionally, if you are behind a wire fence, get up close to it with your camera, switch it to aperture priority mode and open the aperture as wide as possible and it will make the fence disappear! (Like magic!). Be sure to pack extra batteries just in case! Flashes are usually not needed for rally photography. Also, walk with a jacket and raincoat in case of rain and also a hat, sunglasses (which will also help protect your eyes from the dust) and sunblock to escape the sun. Cooler full of drinks and snacks will also come in handy to pass the time while you wait for the cars to pass. Another handy item to have with you is a towel large enough to cover your camera and protect it from being covered in dust and dirt.

CHOOSING A GOOD VANTAGE POINT:

Photo by:

Stood in the tray of a pick-up to get this shot. The objective was to get the crowd in the shot.

Long straights where the cars come screaming by appear to be great places to take pictures but these straights often produce boring lackluster shots! Try to photograph the cars as they drift around a corner or when they are about to exit the corner and still sideways, making sure to include the cloud of dust they kick up in the frame as well! This adds an element of motion to the picture. The inside of sharp corners(or even long sweeping corners) are a great place to capture stunning images of the cars with a wide angled lens. Also, just outside these corners are great  for photographs as well, but a zoom lens will be required. Capturing the crowd or other interesting things in the background of your image will also improve your image's appeal. However, be careful so you don't end up with pictures with tress sticking out the tops of the cars.

TECHNIQUE:

Photo by:

Tilting your camera can produce very interesting angles in the image.

Shoot in shutter priority mode ("Tv" on a Canon, "S" with Nikon and most others) with the ISO as low as possible (to ensure least noise in your image). If your camera has a high FPS, why not try burst shooting as the cars pass by? However, if your camera has a low FPS stick to one shot per passing. Its better to get one amazing picture than ten mediocre ones! Use a high shutter speed (1/500th a second and higher) to freeze the cars as well as the dirt they kick up in your image! (The wheels of the cars may not be frozen however, this does add an element of motion to the image). Another popular technique to employ is panning. Lower your shutter speed to 1/60th a second or so and be sure to focus on the part of the car you want in sharpest focus (this is crucial) then press the shutter.
Photo by:

Freezing the action using a fast shutter speed

The out of focus parts of the image will be blurred and the car will stand out distinctly from the background. Panning is a technique which requires quick accurate focusing, because of this, a USM or HSM auto focus lens will be an advantage. Be creative, giving your camera a little tilt will sometimes enhance the look of the images, but be sure not to tilt it too much. Try to get interesting angles and approaches in your shots. Lastly, don't forget to exposure compensate accordingly and also set your white balance correctly when shooting.'

HAVE FUN!
Rallies are fun! Why not go to the pits and meet the drivers before or after the rally? Meet new people, make new friends and at the end of the day, you'll go home knowing that it was a day well spent!

To view more of my work, please visit my Flickr: http://www.flickr.com/photos/70684493@N03/

Photo by:

Shot of the car exiting the corner

Professional Photography Tips: Black and White Photography

Photo by: VinothChandar

Some subjects tend to be captured better through black and white photography. If you know enough about black and white photography, your photos can bring out textures, shapes, moods, and amazing details that color photos just can’t show. Here are 6 great tips to help you capture the perfect black and white photos.

1. Visualize in Black and White
Find a black and white photo gallery online and learn what subjects and moods are best captured in these photos. Get inspired enough to where you already know what would grab the viewer’s attention in a black and white photo, before you even pick up your camera.

2. Shoot in RAW
If your camera allows you to shoot in RAW format, do it. Shooting in RAW will allow more control when converting your photos from colored to black and white in post production. You can always shoot black and white in JPEG format but it’s better to shoot in RAW if you can. Give it a try and see how you like it.

Majestic

Photo by: Philipp Klinger Photography

3. Color vs Black and White Mode
JPEG format:
Shoot in color and convert your images to black and white in post production. If you shoot in black and white, you are stuck with whatever you get. However, if you shoot in color you can go into the post production phase with the color information and you’ll have more control with converting. Plus if the photos turn out bad without color, you’ll have the colored images to fall back on.
RAW format:
Shoot in black and white so you can view the results on your camera’s LCD. RAW files will give you access to the color information within the file once you put your images onto your computer. This is another big advantage of shooting in RAW. (Be sure to test this RAW feature before filling up your card with images.)

4. Low ISO
High ISO creates noise in your photos, as you probably already know. This noise can be more obvious in black and white photos than it can be in colored photos. Therefore, shoot at the lowest ISO you can to reduce the amount of noise. If you’re looking to add that grainy film look to your photos, do that in post production.

Market Trader.

Photo by: Neil. Moralee

5. Capture Fine Details
Details and shapes are a HUGE part of black and white photography. When an image is in black and white these two factors of the image stand out a lot more. Therefore, shooting images that capture breathtaking details and interesting shapes are key in phenomenal black and white photos. It’s best if you learn to see the details and shapes with your eye before you begin shooting. You also need to know a little something about lighting when you’re capturing the details. Soft light will give great tones while hard light will enhance contrast. Angular light will draw attention to the textures so keep that in mind. Don’t forget to notice the shadows and highlights! They are important too.

6. Is it Time to Shoot B&W?
If you only shoot in color, you probably look at gloomy, overcast, dark days as boring. Those low contrast types of days are great for black and white photography. Be sure to grab your camera and snap some black and white photos when the weather isn’t all bright and sunny.

Black & White Portrait

Photo by: ►CubaGallery

60 Richmond St. E. Front

Photo by: alisdair jones

Professional Photography Equipment Tips: The 50mm f/1.8 Lens

Nikon-and-Canon-50mm-f1.8

Portrait photography, or portraiture, is the type of photography that captures a single person or a group of people in a photo that shows their personality or mood. When it comes to portrait photography, many professional photographers out there use high end lenses such as the Canon EF 70-200mm f/2.8L IS II or the Canon EF 24-70mm f/2.8L. Although these two lenses are some of the best to use when shooting portraits, they can run up to $2,300 brand new. Don’t have that kind of budget? Don’t sweat it! I’ve got good news for you, especially you beginners. There’s a little gem out there known as the 50mm f/1.8. Now this gem isn’t built as solid as the lenses I’ve mentioned above but it’ll do if you’re on a budget. Here’s some great things about this lens:

1. The low f/stop allows for amazing bokeh effects along with it’s great depth of focus.
2. It’s lightweight.
3. It’s actually been proven to be more clear and even sharper than the 50mm f/1.4 lens(it’s big brother).
4. It performs pretty well in lowlight situations.
5. It’s price makes it one of the best lenses under $200 on the market today.(Canon price HERE. Nikon price HERE.)

One thing that you will have to get used to is that it’s a prime lens, which means it has a fixed-focal-length. So don’t plan on using zoom when shooting with it because it just can’t do that. With that said, zoom will be the last thing on your mind when you see what kind of images it’ll produce. I’ve recommended this lens to over a handful of beginner photographers and not one has been disappointed. In fact, I’ve seen drastic improvement in the sharpness, clarity, DOF, and overall quality of their work since they started shooting with this lens. Bottom line, if you’re a photographer on a budget and looking for a great portrait lens, get yourself a 50mm f/1.8. You won’t regret it.

Here are a couple of portraits I’ve captured using the Canon EF 50mm f/1.8 II Camera Lens:

Photo by: Studebaker_Photography

Photo by: Studebaker_Photography

Adobe Photoshop CS6 Beta

cs6 featured logo

That’s right, Adobe Photoshop CS6 Beta is now available for download! Want to know what upgrades and enhancements you’ll be given in this version? To find out, visit Adobe Labs to get your sneak preview today! We can assure you that the new features found in Photoshop CS6 Beta only make the world’s best editing software for digital images even better. :)

Official download page:
http://labs.adobe.com/downloads/photoshopcs6.html

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